What is the best lens for child photography? We’ll give a couple of suggestions. But first, you may want to know why upgrading is necessary. A camera and a lens create unity. They cooperate to focus light and bring it to the sensor. Every lens is built differently and serves a specific purpose. So, before you go shopping for one to photograph your child, figure out which type is best for the situation.
What is the best lens for child photography?
1. Sigma 105mm F2.8 EX DG OS HSM Macro Lens for Canon SLR Camera
This is one of the most powerful lenses we’d recommend for child photography. It’s especially excellent for taking close-up shots. Thanks to the optical stabilizer, pictures retain their sharpness even when you get close to the subject. Meanwhile, the correction to all degrees of aberration is mind-blowing. We can ascribe it to the SLD lens. Another way that it handles aberration is through the utilization of a floating focusing mechanism. This results in superb optical performance. Overall, you’d be delighted with the results. They show a good amount of detail with minimal ghosting irrespective of the shooting conditions. There’s also an HSM embedded in this device, which improves the AF performance. Furthermore, a set of 9 blades work simultaneously to generate an alluring blur around the areas that are not in focus. With this lens, there’s no need to get in close proximity to the target. You can stand far enough away and let the lens do the focusing work. The OS system is also exceptional, but it should be noted that this ability becomes worse as the distance gets shorter. Another superior advantage of this lens is the quiet operation thanks to the hypersonic motor. Not only does it produce little noise, but it’s also blazingly fast.
2. Canon EF 85mm f/1.8 USM
For those in need of a lens that captures breathtaking blur, this Canon lens will fulfill your desire. Its delineation is another reason to grab this compact tele lens. It produces detailed images across a broad range of apertures. Brilliant performance is expected from lenses that occupy this focal length spectrum. Although they make excellent options for portraiture, using a lens with an 85mm focal length can be tricky regarding the distance to keep from the object. Well, you can practice a lot to learn how to work it. That aside, portraits are this lens’ forte because the wide aperture lessens discomfiting backgrounds. During the switch between apertures, you’ll notice noticeable changes in sharpness around the corners and center area. For example, the f/2.8-f/16 range exhibits dramatic center sharpness, while the f/22 aperture makes the same region slightly blurry. Another thing that boosts its appeal is the moderate price. Even those who aren’t pro shutterbugs will find it competitive. What’s more, this product is lightweight, and we can chalk it up to the narrow aperture. For almost three decades, the Canon EF 85mm f/1.8 has become the lens of choice for photographers and filmmakers. They adore its unexacting optical path along with super spectra coatings that offer admirable light transmission and minimum flare. Besides, the ultrasonic AF system is also reassuringly solid and responsive.
3. NIKON NIKKOR Z 50mm f/1.8 S
This lens is the third launched for the brand’s Z mirrorless camera range. Price-wise, it ranks in the middle of the pack; not too pricey, but doesn’t fit in the entry-level segment, either. It has a focal length of 50 mm with an angle of view surpassing 47 degrees. As for the aperture range, the opening goes from f/1.8 to f/16. It also incorporates two aspherical elements, uses a total of nine blades for the diaphragm, and several types of coatings. While some of the specs stand out compared to other alternatives, they aren’t absolute indicators of superior quality. Luckily for the lens, the breadth of features does come with improvements. It’s lightweight despite the plastic accounting for most of the body. It features a single switch and a ring assigned for focus. And then, there are metal parts with extra firmness that lend the equipment a premium hand-feel. The filter size of 62mm is another good quality of this lens, which is the same feature that the Nikon Z 35mm f/1.8 S has. There’s just one switch in this variant aimed at adjusting manual and auto focus. And if you’re seeking built-in VR, sorry to break it to you that it doesn’t exist, but at least it supports the Z-series IBIS for handling at extended shutter speeds.
4. NIKON NIKKOR Z MC 105mm f/2.8 VR S
Nikon has some remarkable offerings from its lens range, including this one. First of all, it has incredible resolution with the ability to perform 1:1 magnification. The stabilization technology used for this unit also boasts terrific performance. Meanwhile, the build quality is streets ahead since it can resist dust and splashes. Another plus point is that it features an inbuilt display right on its body. This lens consists of 16 elements in 11 groups. There’s another one serving as an asphere, which helps fix spherical aberration. The lower focusing threshold it can handle is 29 cm, while the 1:1 magnification implies that it’s capable of reproducing an object at maximum size on the cam’s sensor. Apart from the aforementioned features, this lens has 9 blades in its diaphragm, a unique setup that is responsible for its prepossessing blur in regions that are not in focus. As said earlier, the stabilization for this lens is top-notch, which ultimately owes to its advanced VR that equals 4.5 stops. This feature works like a charm in settings with challenging exposure. Another way this product spoils its users is by including an OLED panel where you can monitor various parameters like focusing distance, aperture, and DOF.
5. Sony FE 24-70 mm F2.8 G Master Full Frame
Sharing the space with other GM lens series, it’s logical to set the bar high for this offering. But let’s see how well it can fulfill our expectations. To start with, it has a solid construction to withstand moisture, dust, and adverse weather conditions. At $499.99, this lens is fairly priced. It’s pretty lightweight, too, with dimensions of 5.4 x 3.5 inches. This makes an excellent choice for the average photographer since the 24-70mm range is the norm in photography. It’s versatile for shooting in limited spaces and reliable for taking landscape photos. As with many other lenses, black is the predominant color of its exterior. It features a polycarbonate barrel with a touch of rubber in the zoom ring. Overall, the design is reminiscent of telescoping lens. You can fix the length at 24mm to secure it in place during use. One button for autofocus adorns its body which overrides any focus setting on the camera it pairs with. If you want to go from auto to manual or vice versa, there’s a dedicated switch for this function. In terms of close-up shots, you can bring it to the subject up to 15 inches away from the sensor. This short distance translates into an effective reproduction ratio of 1:4.2. Is the image quality good? Yes, when tested using the Alpha 7R II, the results are delightful especially at f/4 and other smaller apertures.
6. Olympus M.Zuiko Digital 45mm F1.8 Lens
Nikon has some remarkable offerings from its lens range, including this one. First of all, it has incredible resolution with the ability to perform 1:1 magnification. The stabilization technology used for this unit also boasts terrific performance. Meanwhile, the build quality is streets ahead since it can resist dust and splashes. Another plus point is that it features an inbuilt display right on its body. This lens consists of 16 elements in 11 groups. There’s another one serving as an asphere, which helps fix spherical aberration. The lower focusing threshold it can handle is 29 cm, while the 1:1 magnification implies that it’s capable of reproducing an object at maximum size on the camera’s sensor. Apart from the aforementioned features, this lens has 9 blades in its diaphragm, a unique setup that is responsible for its prepossessing blur in regions that are not in focus. As said earlier, the stabilization for this lens is top-notch, which ultimately owes to its advanced VR that equals 4.5 stops. This feature works like a charm in settings with challenging exposure. Another way this product spoils its users is by including an OLED panel where you can monitor various parameters like focusing distance, aperture, and DOF.
Picking the best lens for child photography
1. The type of lens
Lenses come in all shapes and sizes. Please buy one in accordance with your shooting requirements. There are macro, telephoto, prime lenses, and more. All have their unique characteristics, so figure out your photographic objectives before heading off to the store. For a kid’s photoshoot, a prime lens is good on the grounds that it typically produces crisp pictures. Not only that, it’s also known for rendering outstanding detail in close-up shots.
2. The focal length
The focal length is a measure of how sharply a system converges or diverges from the incoming light. It determines how much of a scene you can fit into the frame. Focal lengths are expressed in millimeters (mm), where smaller numbers point to wider angles of view, while larger numbers are the exact opposite. Comparing photos taken at different focal lengths will give you an idea of the level of magnification each level delivers.
Considering it’s one of the most fundamental parts of photography, you can’t ignore this aspect, especially when the lens is for taking portraits of your child. Please make sure that the aperture range creates the effect you desire because not every aperture has a shallow depth of field or applies a fancy blur to the background. To put it into perspective, some variants tend to maximize the area that’s in focus. Therefore, take into account this factor and see if it can make flattering portraits.
4. Image stabilization
When you want to capture footage virtually free of motion blur, then a lens needs to have capable image stabilization. It will boost the sharpness of images across different shutter speeds. Lens stabilization isn’t the same as in-camera stabilization, but the former has a fair share of benefits, like it can tackle poor lighting conditions.
What shutter speed should I use for toddlers?
Toddlers are so active that it’s hard to tell them to stay put or get into position before photographing them. If you’re dealing with an active kid who just can’t sit still, the best thing you can do to freeze their moments is by selecting a higher shutter speed on the camera because it greatly reduces blur. The fast action is why they have become a common preference for sports photography.
Can you use a 50mm lens for family portraits?
It depends on how big your family is. If it’s your immediate family, this lens should be adequate because this family unit only consists of parents, siblings, spouse, and children. But if it extends beyond the nuclear family, odds are the lens can’t fit everyone in the frame unless they stand at a striking distance. All in all, the size of your family will dictate whether this model will suffice or not.
What is the best lens for shooting family portraits?
A 50mm lens can be your primary option, or try an 85mm lens as a substitute. It will fit your kids and all the other family members in the frame. Apart from these, photographers also use 16-35mm lenses for documenting family gatherings and weddings.
What is the best lens for child photography? That was the list you can consider for children’s photos. Choosing a lens shouldn’t be tricky as long as you know its purpose, since each model is comprised of different elements which ultimately affect its performance. There are telephoto, macro, fisheye, etc. For portraiture, it’s not only the type that matters but the focal length, aperture, and magnification all contribute to the quality of the captured images. Hence, read the specs carefully and learn how they will benefit your photography as a whole.